You know how we, as writers, are supposed to always begin our stories with the main character's moment of change, otherwise known as throwing the reader into the tale en media res? I found a glowing example of this in a movie I watched last weekend, and I thought I would share its brilliance and simplicity. Since I like to have backstory clearly defined in my mind, and usually need to be reminded not to slam it on the reader, but rather to feather it in gradually, I found this helpful.
One of the opening scenes in Careless depicts the main character, Wiley Roth, returning to his apartment alone after working at a drab job in a bookstore. He goes to the kitchen, and a microwave sits on top of the freezer. He opens the freezer, and it is filled with Banquet frozen meals, minus room for five or six boxes. He opens the cardboard expertly, pokes holes in the plastic with a fork kept on top of the microwave just for that purpose, and sets the timer. Next shot, we see him reading a book on his couch, mindlessly forking the heated meal into his mouth.
Now we know that this character lives alone, doesn't cook, can't afford or doesn't choose to buy the more expensive frozen meals, and that his life follows the same pattern and routine every day. Except, of course, for today, the moment of change, when he finds a severed finger on his kitchen floor after his meal. Where does he put it? The freezer. And we are already familiar with the contents of the freezer.
The finger stands out among the frozen meals, and voila, his life is changed forever.
Now if only everything I write could work out that well. What do you do to make sure your backstory doesn't interfere with your beginning, the moment of change?